Cry for the Moon (2002–2003)
In early 2002, Mark Jansen was fired from After Forever due to creative differences. He then began looking for musicians who would work towards a more classical/symphonic type of music project; this was initially named "Sahara Dust"[1]. In late 2002, the band courted Helena Michaelsen[2] (from Trail of Tears) as its frontwoman, but shortly after she was replaced by the then unknown mezzo-soprano Simone Simons, Jansen's girlfriend at the time. The band's line-up was completed by guitarist Ad Sluijter, drummer Jeroen Simons, bassist Yves Huts, and keyboard player Coen Janssen. The name was later changed to Epica, inspired by Kamelot's eponymous album.
Epica then assembled a choir (made up of two men and four women) and a string orchestra (three violins, two violas, two cellos and anupright bass) to play along with them. Still under the name Sahara Dust, they produced a two-song demo entitled Cry for the Moon in 2003. As a result, they were signed to Transmission Records.
[edit]The Phantom Agony (2003–2004)
Their debut album, The Phantom Agony, was produced by Sascha Paeth (known for having produced bands such as Angra, Rhapsody of Fire and Kamelot) and released in late 2003. The song "Façade of Reality" on the album was written about the September 11, 2001 attacks and includes fragments from speeches by Tony Blair[3].
The album was followed by three singles: "The Phantom Agony"[4], "Feint"[5] and "Cry for the Moon"[6].
[edit]Consign to Oblivion / The Score (2005–2007)
Their second release, entitled Consign to Oblivion, was influenced by the culture of the Mayan Civilization[7], which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to the year of 2012, and makes no reference of what may happen past said year. Consign to Oblivion was composed with film scores as a basis, with Hans Zimmer and Danny Elfman cited as major inspirations. The album features guest singing by Roy Khan[8] (from Kamelot) on the song "Trois Vierges". Epica also joined Kamelot as a support band on parts of their tour for promotion of the The Black Halo album, to which Simons had contributed her vocals on the track "The Haunting (Somewhere In Time)"[9].
Two singles were released from the album, "Solitary Ground" and "Quietus (Silent Reverie)".
Epica's non-metal album The Score - An Epic Journey was released in September 2005 and is the soundtrack for a Dutch movie called Joyride, though it could also be considered to be their third album. Mark Jansen describes the album as typical Epica, "only without the singing, without the guitars, no bass and no drums".[10]
In 2005 and 2006 Epica went on their first tour throughout North America with Kamelot[11]. After the tour, drummer Jeroen Simons left the band because of his wish to pursue other musical interests. In Fall 2006, Simone once again contributed vocals to album of Kamelot, this time on the tracks "Blücher" and "Season's End" on the album Ghost Opera. In December Ariën Van Weesenbeek from God Dethroned was announced on Epica's official website as the guest drummer for their new album, but not a permanent band member.
[edit]The Divine Conspiracy (2007–2009)
In September 2007, Epica headlined their first tour through North America and released their fourth album, The Divine Conspiracy, this time on a new label, Nuclear Blast. That December,Ariën Van Weesenbeek was announced to be Epica's permanent new drummer. The band toured North America again in April 2008 with Into Eternity and Symphony X, this time withAmanda Somerville because Simone had contracted a staph infection (MRSA).
The first single of the album was released on August 10, 2007 entitled "Never Enough".
The second single, "Chasing the Dragon," was released in 2008 without an accompanying video.
On 16 December 2008, Ad Sluijter left the band. He left a message on his Myspace page with his reasoning for leaving the band, which included frustration over being unable to enjoy composing music because of deadlines. Ad's successor on guitar was announced in January of 2009 to be Isaac Delahaye, who is formerly of God Dethroned fame.[12]
[edit]The Classical Conspiracy / Design Your Universe (2009–Present)
The Classical Conspiracy is Epica's first live album. The live show also included a 40-piece orchestra and a 30-piece choir. It was released on May 8, 2009 through Nuclear Blast Records.[13]
On March 4th 2009, Epica announced their return to the studio where they have already begun recording new material. The album will be released in September or early October 2009. To promote this release, they will be performing in Amsterdam at Paradiso on the 10th of October. [14] This album will be new guitarist Isaac Delahaye's first. In April 2009, it was revealed that the album's title would be "Design Your Universe".[15]
[edit]Style
Epica's performs a blend of progressive metal,[16][17] gothic metal,[18][19][20] and symphonic metal.[21][22] Another component of Epica's style is power metal[21] with their guitarist Ad Sluijter describing the band as "a bridge between power metal and gothic metal."[23] Vocalist Simone Simons has expressed a preference for the group to be described as symphonic metal[24] though the founder of the group Mark Jansen notes that they do not mind being called gothic metal.[25]
The music of Epica is aggressive, bombastic[26] and excessive[22] with some songs being "epic, grand and majestic" and others "more subdued and introspective."[19] The band is also known to have progressive tendencies[27] while a gothic atmosphere and sentimentality is also present in their music.[19][22]
Epica uses a "trademark of many symphonic and gothic metal bands" in contrasting "two extremes, death grunts and brutality on one side, airy female melodiousness on the other."[22] Eduardo Rivadavia of Allmusic notes that the band's "attraction ultimately hinges on exploring the sonic contrasts of light and dark; the punishing intensity of those elephantine guitar riffs and hyperactive drumming cast against the soaring, layered sweetness of the orchestrated strings and keyboards."[28] Simone Simons delivers operatic vocals in a mezzo-soprano range[27] though she has also been known to sometimes sing "with a clear alto voice that has a flawless tone and a lot of emotion."[19] Mark Jansen delivers death grunts "that are secondary to Simons' singing, but very important in terms of balance and variety."[19] The group is also known to employ human choirs and orchestras[27] with additional embellishments such as spoken word recitals and lyrics in Latin and Arabic.[21]
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